Contains
some ancillary measurements in a narrative form. Some of the measurements include
amplifier gain, signal-to-noise ratio, AC line power draw at idle, and output impedance at
50Hz (We measure output impedance by injecting a constant 1A of current with frequency
into the output of the amplifier under test and measuring the resulting voltage developed
accross the amplifier output. Since the current is 1A, the measured voltage is equal to
the magnitude of the output impedance in ohms. This value is checked against the
output impedance calculated from the voltage drops measured in Chart 1 at the 1W output
level and is generally in good agreement for the vast majority of tested amplifiers.).
The main
purpose of this section is to give pertinent details that correspond directly with the
charts, to help readers interpret the visual data. Salient points about the chart results
and additional data measurements are included, along with other pertinent comments on the
amplifiers behavior.
Chart 1
- Frequency Response as a
Function of Output Loading |
- Purpose: Gives an indication of
how flat and uniform the frequency response of the amplifier is and how this response
varies with output loading. The response with the dummy speaker load suggests how much
variation in frequency may occur when the amplifier is actually driving a loudspeaker.
What it tells you: Four measurements can be seen on this chart: frequency
responses with open circuit, 8-ohm load, 4-ohm load, and dummy speaker-loading at the
amplifiers output. For tube amplifiers with multiple impedance output connections,
the 8-ohm output connector is used. The lower the output impedance, the less the output
will change with loading and therefore the flatter the response delivered to a speaker
load. On the chart, the lower the output impedance, the closer the three resistive loaded
curves are to each other on the chart.
Chart 2 - Distortion as a Function of Power Output and Output Loading |
- Purpose: Shows how the amplifiers
distortion (signal components in the output not present in the input) varies with amount
of output power and output loading.
What it tells you: Three or four measurements are displayed: 1kHz total harmonic
distortion plus noise vs power output for 16-, 8-, and 4-ohm resistive loading on
the 8-ohm tap for tube power amplifiers, plus SMPTE IM distortion with 8-ohm loading on
the 8-ohm tap. For solid-state amplifiers, the 16-ohm loading is omitted. Typically,
solid-state amplifiers will have low distortion up to the start of clipping where the
amount of distortion will abruptly rise. Tube amplifiers generally have higher amounts of
distortion and merge into clipping more smoothly.
Chart 3 - Distortion as a Function of Power Output and Frequency |
- Purpose: Illustrates how amplifier
distortion varies with frequency.
What it tells you: Four measurements are displayed here: Total harmonic distortion vs
frequency at four power levels ranging from 1W to a value at or near the rated power of
the amplifier. Output loading is shown for either 4- or 8-ohms, as indicated.
Chart 4 - Damping Factor
as a Function of Frequency |
- Purpose: Shows how the
amplifier's damping factor varies with frequency.
What it tells you: Damping factor is the value of the output impedance at
a particular frequency divided into 8. With tube amplifiers this measurement is made on
the 8-ohm output tap if available. In a similar manner to Chart 1, this parameter measures
the amplifiers ability to deliver a flat frequency to the load: The higher the
damping factor -- and the lower the impedence, th etwo being inverses of each other -- the
flatter the response is into a speaker load. The value of output impedance at 50Hz is
given in the Additional Data section.
Chart 5 - Distortion and
Noise Spectrum |
- Purpose: Plot of the harmonic
distortion spectrum of a 1kHz test signal at an output power of 10W into an 8-ohm load.
What it tells you: Since the frequency axis is logarithmic, it also allows a
measure of the leakage of power supply line harmonic frequencies into the amplifier
output. Generally, it is preferable if the harmonics decrease rapidly after the second
harmonic.
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